As a big fan of the fantastic TV show Breaking Bad I’m aware of the serious damage a drug like Crystalmeth can cause. Sadly, the number of drug addicts is high and the drug users start their careers in an age they should actually care more about their homework than doing drugs.
For this reason, some guys founded the Montana Meth Project, to show the potential young “customers” what this horrible drug is really about:
Our goal is to arm the youth of Montana with the facts about Meth so that they can make a better informed decision when presented with the opportunity to give Meth a try.
The whole thing is actually the first campaign against any form of drugs, which — in my eyes — really works. I’m deeply impressed by the offensive images used in the ads:
The research-based messaging campaign—which graphically portrays the ravages of Meth use through television, radio, billboards, and Internet ads—has gained nationwide attention for its uncompromising approach and demonstrated impact. The campaign’s core message, “Not Even Once®,” speaks directly to the highly addictive nature of Meth.
Ex libris, meaning ‘from the library of’, or ‘from the books of’ is a Latin expression attached to the art form of bookplates. These are stamps or labels that appear inside books to denote ownership, and range from the simple to the decorative and elaborate, to the obscure or even bizarre and surreal.
Died Young, Stayed Pretty is a candid look at the underground poster culture in North America. This unique documentary examines the creative spirit that drives these indie graphic artists. They pick through the dregs of America’s schizophrenic culture and piece them back together. What you end up with is a caricature of the black and bloated heart that pulses greed through the US economy. The artists push further into the pulp to grab the attention of passersby, plastering art that’s both vulgar and intensely visceral onto the gnarled surfaces of the urban landscape. The film gives us intimate look at some of the giants of this modern subculture. Outside of their own circle, they’re virtually unknown. But within their ranks they make up an army of bareknuckle brawlers, publicly arguing the aesthetic merits of octopus imagery and hairy 70s porn stars. They’ve created their own visual language for describing the spotty underbelly of western civilization and they’re not shy about throwing it in the face of polite society. Along the way, they manage to create posters that are strikingly obscene, unflinchingly blasphemous and often quite beautiful. Yaghoobian shows these artists for what they are: the vivisectionists of America’s morbidly obese consumer culture.
Just found this nice series of car commercials in my email archive. Some years ago, the Brits already knew how to underline their cars’ advantages: BMW starts an ad:
The response of AUDI:
That’s SUBARU’s contribution:
Finally the true player shows his competitors how to run the business:
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